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生前,他名不见经传,穷得连一次个人画展都没办过。他说:“我的画不是卖钱的,是要争取传世的。”身后,他用生命中的最后10年创作的《走出巴颜喀拉》相继在北京、上海展出,引起了轰动,国内传媒纷纷给予关注。著名评论家邵洛洋先生盛赞:“盛唐吴道子、北宋武宗元、明末陈洪绶、现代李伯安,是中国绘画史上的四根擎天柱,撑起了人物画领域的朗朗乾坤。”9月18日至10月28日,《走出巴颜喀拉》在河南博物院展出,依旧观者如潮。一名参观者在留言本上写道:“惊天地,泣鬼神,撼人心,伯安不朽。”就在传媒纷纷驻笔《走出巴颜喀拉》艺术本体专业层面时,笔者与李伯安之妻张黛女士进行了深入对话。捧在您面前的,是以人为载体的名画诞生的真实历程。
Before his death, he was unknown, not even a solo exhibition. He said: “My painting is not money-selling, is to strive for handed down.” Behind him, with his last 10 years of life created “out of Bayan Har” have been exhibited in Beijing, Shanghai, caused a sensation, Domestic media have given attention. Famous critic Mr. Shao Luo Yang praised: “Tang Wu Daozi, Northern Song Wu Zongyuan, the late Ming Chen Hongshou, modern Lee Bo An, is the history of Chinese painting Optimus Prime, propped up the Lang Lang universe painting field.” September 18 To October 28, “out of Bayan Har” exhibition in Henan Museum, still viewers rush. A visitor wrote in the message book: “shaking heaven and earth, weeping gods, humbling, Burhan immortal.” In the media have set off “out of Bayan Har” artistic ontology professional level, the author and the Lee Bo Anzhi Ms. Zhang Dai conducted in-depth dialogue. Holding in front of you, is the real history of the birth of people-oriented paintings.