《十二真君传》是初唐高宗时道士胡慧超所撰的一部关于晋代道士许逊及其弟子的传记。其中的《许真君》作为一篇仙传性质的作品 ,已基本上摆脱了六朝仙传叙事模式的制约 :说教与辅道的色彩开始淡化 ,想象力、描述性和情节性大大增强 ;在素材选择与处理上也具备了一些新的特征 :作者大量采取移花接木的手法来化用其他文献中的材料 ,以集中强化自己的创作意图 ,这与后世小说通过虚构以升华主题的手法十分相似。《吴真君》篇则在素材方面完全以正史《晋书》和志怪作品集《搜神记》为渊源 ,而《吴真君》和《兰公》两篇之撰述风格与意图又共同受到《晋书》中某些篇章的强烈影响 “Twelve true monarch” is the early Tang Taoist Hu Huichao author of a biography of the Jin Dynasty Taoist Xu Xun and his disciples. Among them, “Xu Zhenjun”, as a fairy tale biography, has basically got rid of the restriction of the fairy tales of the Six Dynasties: the colors of preaching and auxiliary roads begin to desalinate, their imagination, descriptiveness and plots are greatly enhanced; It also possesses some new characteristics in its handling: the author adopts a great deal of materialism to diversify the materials in other literatures so as to focus on strengthening his creative intention, which is very similar to the fictional sublimation theme of later generations of novels. “Wu Zhenjun” is based entirely on the historical material “Jin book” and the mysterious work “Sou Shen Ji” as the origin, and “Wu Zhenjun” and “Lan Gong” two of the writing style and intent together by “Jin book” In some chapters of the strong influence