贝多芬的32首钢琴奏鸣曲一直以来都有经久不衰的评价,尤其对于他晚期的五首作品,更是提至了人生、哲理、宗教的高度。但是对于这样具有高度评价的作品,以往的研究往往会着重突出演奏技巧、艺术特征、精神追求的某一层面,而忽视对其整体的研究。为此,本文以多角度对贝多芬晚期的五首钢琴奏鸣曲进行分析和讨论。 Beethoven’s 32 piano sonatas have always had an enduring evaluation, especially for his late five works, but also to the height of life, philosophy and religion. However, for such highly appraised works, previous studies tend to emphasize one aspect of playing skills, artistic features, and spiritual pursuits, while ignoring their overall research. For this reason, this article analyzes and discusses the five piano sonatas of late Beethoven from many perspectives.