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于希宁的花卉从不停留于表现客观对象的形貌,也不仅仅为了显示笔墨的技巧,他重于在主观与客观的统一中表现物性、人格与内在的精神
The flower of Hsining was never concerned with the appearance of an objective object, nor with the mere technique of pen and ink, but with the emphasis on the manifestation of materiality, personality and inner spirit in the subjective and objective unification