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党的十一届三中全会的胜利召开,宛如一阵春风吹过。全国社会各个方面出现崭新的面貌,民主自由的气氛日益浓厚,人们把目光更多地投向现实社会和生活,歌曲的创作更加强调了中国民族风格与特色,人的真情实感重新回到歌曲中来。与“文革”时期的作品相比,这时期的民族声乐强烈地追求真实,抒发真挚自然的情感,展现人性的质朴与纯真,人们感到了人的存在、人的价值,作品中活生生的人,个人的情感,人的爱情、友情、乡情、思念之情和对幸福生活的追求、向向往都以崭新的面貌表现出来了。这一时期人的价值与尊严、自由与理想、精神与欲求的回归上,歌曲用形象、生动和直接的表现形式都达到了新的水平。
The victory of the Third Plenary Session of the Eleventh Central Committee of the Party convened like a spring breeze. In all aspects of society in China, a brand-new appearance has emerged. The atmosphere of democracy and freedom has become increasingly concentrated. More attention has been devoted to real life and society. The creation of songs emphasizes the Chinese national style and features, and people’s true feelings are returned to the songs . Compared with the works in the “Cultural Revolution” period, the national vocal music of this period strongly pursued the truth, expressed genuine and natural feelings, demonstrated the simplicity and innocence of human nature, people felt the existence of human beings, the value of human beings, the living People and personal emotions, human love, friendship, nostalgia, thoughts of love and the pursuit of a happy life, to look forward to a new face with a manifestation. During this period, the values and dignity of human beings, the freedom and ideal, the return of spirit and desire, the images of songs, the vivid and direct forms of expression all reached a new level.