姜文在电影《太阳照常升起》里,玩着华而不实的花巧,打乱叙事结构,混淆梦境和现实,在观众与自己之间设置障碍。通过对“他人之死”的轻松叙说,展示了一种“施虐/受虐”的自恋者临床病症,在对暴力的美学化背后,是使人屈从于本能,拒斥知性,对历史已经遗忘真相、无力反思的“平庸的恶”。 In the movie “The Sun Also Rises,” Jiang Wen plays flashy exaggerations, disrupts narrative structures, confuses dreams and reality, and sets up obstacles between spectators and themselves. A relaxed narrative of “the death of another ” shows a “sadist abused ” narcissistic clinical condition, behind the aesthetics of violence, is to submit to instinct, rejection Intellectual, “history of history has been forgotten the truth, unable to reflect on the” mediocre evil. "