贾平凹在《秦腔》的人物塑造中追求一种弥漫着中国传统天人合一的浑然之气,引生正是其小说创作理念的代表。他表面疯癫、为爱痴狂,实则孑然一身,脱离世俗亲情之累;自残身体,超脱情欲之累;通灵神秘,对大自然保持敬畏之心。小说通过第一人称内视角,在引生不断的内心独白中让读者始终与其保持一致,并且随着情节发展,把判断评价的主动权交给读者。引生的叙述并非表面看到的不可靠叙述,他的叙述与隐含的作者一致,表现后现代化进程中农村的发展问题,寄托着作者对故乡的深情厚意。 Jia Pingwa pursues in the characterization of “Qincun” a kind of natural atmosphere filled with Chinese traditional man and nature, which is exactly the representative of his novel creation philosophy. He is crazy on the surface, crazy for love, but in reality he is alone and free from the burden of worldly affection; self-mutilating his body and getting rid of the loss of passion; spiritual mystery and awe of nature. The novel through the first person perspective, in the introduction of continuous inner monologue readers always consistent with them, and with the plot development, the judgment of evaluation initiative to the reader. The resulting narration is not an unreliable narrative on the surface. His narration is consistent with the implied authorship and represents the rural development in the process of post-modernization, placing the author’s deep affection for his hometown.