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2003年和2010年中国邮政分别发行了一枚以“盗仙草”为题材的民间戏曲年画邮票,一为天津杨柳青清代乾隆时期齐健隆画店印制的《盗仙草》;一为重庆梁平民国时期恒泰正画店印制的《盗仙草》,两幅作品都鲜活地记录了当地戏曲舞台演出精彩的瞬间,也都代表了当地戏曲年画的最高水准。虽为同一题材,但仔细观察比对两幅《盗仙草》,发现其艺术风格却大为迥异。那么,两地戏曲年画各自不同的区位因素和人文背景怎样?其材质和工艺有何不同?各自不同的艺术特色在哪里?本文试图以两幅《盗仙草》为案例,以管窥梁平、杨柳青两地戏曲年画不同的艺术特征。
In 2003 and 2010, China Post issued a series of “New Year’s Stamps” entitled “Pirates of the False Grass”, the “Pirates of the False Grass” printed by Qianyanglong Painting Shop in Tianjin during the Qing Emperor Qianlong in Tianjin, The “Pirates of the False Grass” printed by Hengtai Zhenghua Painting Shop during the period of Liangping in the Republic of China, both of which vividly record the brilliant moment of the local opera stage performances and also represent the highest level of the local opera New Year paintings. Although the same theme, but a closer look at two “Pirates of the grass”, found that their artistic style is very different. So, what are the different location factors and cultural backgrounds of the two New Year operas? What are their different materials and processes? What are their different artistic characteristics? This article attempts to take two cases of “Pirates of the False Grass” as examples to see how Liang Ping and Yang Liuqing The two places have different artistic characteristics in opera and New Year pictures.