茅盾在第二次世界大战中的最后一部巨著《腐蚀》,采用了主要人物“直接叙述”的形式,即让小说的女主角用日记体形式传达她的经历、回忆和思想,特别是她的种种复杂的感情,以致整部小说就是内心独白。而作者本人的“直接叙述”则被限制在前面的简短的引子中。但是茅盾选择日记体形式,决不是放弃创造现实的、极其逼真的客观 Mao Tun’s last monumental “erosion” in World War II took the form of the main character “direct narration ”, that is, let the heroine of the novel convey her experiences, memories and thoughts in diary form, especially Is her complex feelings, so that the whole novel is the inner monologue. The author’s “direct narrative” is limited to the previous brief introduction. However, Mao Dun chose journal form, by no means is to give up the creation of reality, extremely realistic objectivity