纵观郭沫若历史剧创作情况,本文分别从史剧和历史、史剧和现实、史剧的形象塑造、悲剧成就等方面进行浅析,明确以下四点:(1)郭沫若处理史剧和历史关系的原则是“失事求似”;(2)提出了“先欲制天下而后借鉴于古”及“据今推古”理论,以此来处理史剧和现实之间的关系;(3)戏剧形象塑造方面,对人物进行“合理的发展”;(4)“知其不可为而为之”的历史悲壮性。 Throughout the creation of Guo Moruo’s historical plays, this article analyzes the historical drama and history, the historical drama and the reality, the historical image and the tragedy achievements, respectively, to clarify the following four points: (1) Guo Moruo’s handling of historical drama and historical relations The principle is “quasi-calamitous”; (2) the relationship between historical drama and reality is dealt with by the proposition of “preconceived the world and borrowed from the ancient” and “ (3) In the aspect of shaping the dramatic image, we carry out ”reasonable development “ to the characters; (4) the historical tragedy of ”knowing what to do".