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本文试图把董其昌关于“淡”字的论述放到从宋代延续下来的诗文创作观念中来理解,着重探讨诗文书画这几种不同的艺术类型如何用“淡”的创作标准统一起来。
This article attempts to understand Dong Qichang’s discourse on “light ” in the conception of poetic creation inherited from the Song Dynasty, focusing on how the different types of art of poetry, calligraphy and painting can be used as Unify.