《如来身量明析宝论》中佛像量度的观点,尤其是十柞造像量度的观点与同一时期欧洲艺术大师达芬奇对人体比例的论述有异曲同工之妙。它对藏传佛教美术如何创造既符合视觉美感规律又具备本民族审美情趣的艺术形象方面提出了自己具体的要求。对藏传佛教艺术风格的演化和定型,对推动藏族美术的发展具有深远的影响。 The view of Buddha statues in “Tathagatagarbha”, especially the statues of ten statues, is similar to that of Leonardo da Vinci’s European ratio in the same period. It put forward its own specific requirements on how Tibetan Buddhist art can create an artistic image that meets the laws of visual beauty and aesthetic taste of its own nation. The evolution and stereotypes of the Tibetan Buddhist art style have a profound impact on promoting the development of Tibetan fine arts.