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针对19世纪英国画家罗塞蒂的绘画个人风格强烈的特点,通过截取其青年时代的主要作品作深入分析,并与将画家囊括在内的拉斐尔前派最初的创作宗旨进行比较,结果发现罗塞蒂的作品风格从一开始便与自己参与创建的流派的原教旨有着本质区别。罗塞蒂的绘画从一开始就不太关心是否寓有道德意义,也不是绝对地恪守“忠于自然”的信念,反而热衷于在画中表现一种朦胧的诗性美。这种倾向在拉斐尔前派兄弟会解散后得到了更明确的发展,使得罗塞蒂的绘画最终走进了远离现实的梦境。
Aiming at the strong personal style of the 19th-century English painter Rossetti’s paintings, by intercepting the main works of his youth and making an in-depth analysis with the original purpose of the Raphaelists who included the painters, he found that Rossetti’s style of work is fundamentally different from the very beginning of the genre’s fundamentalism. Rossetti’s paintings, from the very beginning, did not care too much about whether there was any moral significance or absolute faith in “faithful to nature,” but were rather keen on expressing a dim poetic beauty in the painting. This tendency has been more clearly developed after the dissolution of the pre-Raphaelite brotherhood, making Rossetti’s paintings eventually into a dream far from reality.