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大学艺术设计系开设中国花鸟画课程的争论源于西方艺术观念的引进,从设计的民族性的角度看,有其必要性和合理性。从中国花鸟画的写意性与西方绘画构成性的比较可以看出两者造型意念上的根本不同;不仅如此,从用线造型,用笔墨表现的造型语言与西方的块面造型比较也存在着根本的区别;而中国古代的五原色色彩论与西方绘画的色彩更存在着哲学与科学的比较。东西方绘画观念的融合使当代花鸟画有了新的活力,形形色色的水墨画法实验,使花鸟画的教学前景非常广阔。
The controversy over the opening of Chinese flower-and-bird painting courses at the Department of Art and Design of the University stems from the introduction of western art concepts. From the perspective of national design, it is necessary and reasonable. From the comparisons between the freehandness of Chinese bird painting and the Western painting, we can see the fundamental differences between the two in styling ideas. Moreover, there is also a comparison between stylistic language represented by lines and western style, Fundamental difference between ancient Chinese color theory of the five primary colors and the color of Western painting there is a comparison of philosophy and science. The fusion of Eastern and Western painting concepts has brought contemporary flower and bird painting a new vitality and various kinds of ink painting experiments, which have made the teaching prospect of flowers and birds paintings very broad.