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从建国到现在的半个世纪以来,唢呐与其它民族乐器一 样,无论是在演奏形式、表演技巧、创作曲目、传统音乐整理、学术论著、教学育人、求新探索等方面,都取得了巨大成就。本文将建国以来唢呐艺术的发展分为三个阶段:第一阶段是从建国始到“文革”前的十七年间(1949—1966);第二阶段是“文革”的十年间(1966—1976);第三阶段是“文革”结束后改革开放至今的二十多年。
From the founding of the People’s Republic until the present half century, the suona, like other national musical instruments, has made great achievements both in the forms of performance, performing tricks, the creation of music tracks, the arrangement of traditional music, academic works, teaching and education, and new exploration achievement. This article will be divided into three stages since the founding of the state of the art of suona: the first stage is from the founding of the PRC to the “Cultural Revolution” seventeen years (1949-1966); the second stage is the “Cultural Revolution” ten years (1966-1976 ); The third stage is the “Cultural Revolution” after the reform and opening up more than 20 years.