今天我们所能在舞台上看到的昆剧,基本上沿袭了乾隆、嘉庆以来的规范,其最大特点是搬演全本戏的寥寥可数,却留下了一大堆折子戏。正如呈现在我们面前的由上海市历史博物馆珍藏的杨逸题款《昆剧人物册页》,即是一件反映昆剧演出史的重要佐证。此册共12页,每页绘有一出折子戏人物。这里有必要先讲一下昆剧折子戏。折子戏的“折”原是“场”的意思,又称“摘锦”。是指从全本戏中拆下来单独上演的剧目,但它并非是 Today, what we can see on the stage of Kunju Opera basically follows the norms of Qianlong and Jiaqing. Its most notable feature is that it plays a very small part in the performance of the whole drama, leaving a lot of excuses. As presented in front of us by the Shanghai Museum of History collection of Yang Yi “Kunqu Opera Character Album”, that is a reflection of Kunqu opera performance history is an important evidence. This book consists of 12 pages, each page has a show off character. Here it is necessary to talk about the first Kunqu opera blockbuster drama. The “folding off” of the play show is originally the meaning of “field”, also known as “pick up”. Refers to the repertoire that is soloed from the whole play, but it is not