庞薰琹通常被当做具有前卫意识的现代主义者被提起,关于他在决澜社之后的艺术之路少有提及。通过《就是这样走过来的》一书,我发现他对于自己在1936年之后研究民俗传统的经历与作品极为看重,而他的艺术风格自现代主义转向装饰艺术也在文中有所涉及,本文主要是分析整合其转变原因,故而对其介绍集中在1925—1944年之间。 Pang Xun 琹 is often referred to as a modernist with avant-garde awareness, and there are few references to his art road after Pearllan. Through his book, “It’s Just Comes Like It,” I found him highly valued about his experiences and works of folk custom research after 1936, and his art style has also been covered in the article from modernism to decorative art. Is to analyze and integrate the reasons for its transformation, so its introduction concentrated in 1925-1944.