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本文以中国舞剧《半生缘》的创作实践为例,从人物塑造、剧本功能、舞剧表现三个方面进行解析和论述,旨在为今后舞剧编导教学提供理论与实践方面的研究经验和方法。
Taking the creation practice of half-life in Chinese ballet as an example, this article analyzes and expounds three aspects of characterization, script function and performance of ballet in order to provide theoretical and practical experience and method for the dance teaching.