“近作”是鄢醒迄今为止最大体量的个展,呈现了四个综合煤介的项目作品,《脏的艺术》、《列宁在1918》、《两部录像、三张照片、几件与之相关的杰作和美国艺术》和《女收藏家》,互为参照并成功制造了某种坚硬的品质感,不断地向进入展览的观众暗示着艺术家对空间的精确分割或设计,为矫饰的文学线索提供了有力的视觉结构。这一次,鄢醒从作品中消减“自己”的直接出演,退到舞台背后成为一个图像作家和资源支配者,与外界交谈的唯一途径只有 “Recent Works ” is the most solo exhibition of Yan Xing so far, presenting four project works of integrated coal media, Dirty Art, Lenin in 1918, Two videos, Three photos, Related masterpieces and American art “and” female collectors “, each other and succeeded in creating a certain sense of hard quality, constantly impressing the audience entering the exhibition of the artist’s precise division or design of space, The literary clues provide a strong visual structure. This time, Yan Xing diminished his direct debut of ”Own" and retreated behind the stage to become an image writer and resource director, and the only way to talk to the outside world was only