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主体性,从根本上说是一种特殊的人类文化遗传基因,处于不被人们感知的“集体无意识”深处。通俗地来讲,它是人类本体的精神内核,一种自我的内在形式。由于主体性始终处于历时的共时的外围环境包裹之中(这一存在方式,决定了“主体性”本身就缺乏一种主体自由和主体能动性),所以在人类发展的不同历史阶段,它时而被埋没、潜隐,时而被突显、膨胀。对中国当代文艺而言,主体性始终贯穿其中,并在外围环境的携同下,经历了由隐到显,由地下到地上,由内在到外延的发展过程。
Subjectivity is fundamentally a special kind of human cultural gene, which is in the depth of “collective unconsciousness” which is not perceived by people. Generally speaking, it is the spiritual nucleus of human noumenon, an inner form of self. Since the subjectivity is always in the diachronic synchronic external environment package (this way of existence determines that “subjectivity” itself lacks a kind of subjective freedom and subjective initiative), in the different historical stages of human development, It is sometimes buried, hidden, sometimes highlighted, bloated. As far as Chinese contemporary literature and art is concerned, subjectivity always runs through it and under the coexistence of the external environment, it has undergone a process of development from implicit to explicit, from underground to earth, and from internal to external.