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六、七十年代以来,由于大公司生产式微,人们把日本电影称之为“斜阳电影”,但随着大公司经营机制的转换以及独立制片的勃兴,特别是一批年轻人的个人化小制作影片的出现,日本电影又再显繁荣。从九十年代中期开始,观众人次和票房收入有所增长。据乐观估计到2000年日本影片与好莱坞影片的收益可从长年来的30％提高到50％左右,这便意味着日本电影已经走出了日本人不爱看日本电影的怪圈。其中宫崎骏的《幽冥公主》的票房达100亿日元,超过好莱坞大片《E·T》。老导演森田芳光的《失乐园》、今村昌平的《鳗鱼》等,
Since 1960s and 1970s, Japanese films have been called “cinematic movies” because of the small-scale production of large corporations. However, with the transformation of the operating mechanism of large companies and the rise of independent filmmaking, and in particular the personalization of a group of young people The emergence of small production of the movie, Japanese film again significant prosperity. Since the mid-nineties, audience attendance and box office receipts have increased. It is optimistic that by the year 2000 revenues from Japanese films and Hollywood films have risen from 30% in many years to about 50%, which means that Japanese films have come out of the cycle of Japanese love of Japanese movies. Miyazaki's “Nether Princess” box office reached 10 billion yen, more than the Hollywood blockbuster “E. T”. The old director Morita Fonguang's “Lost Paradise”, this village Changping “eel” and so on,