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藤本壮介作为日本新生代最有才华的建筑师之一,其主要设计理念概括为原始的未来、建筑和大自然、层次。本文结合藤本壮介作品案例,从材料、结构、节点和技术策略四个方面进行分析,总结出在技术美学方面倾向于纯粹性的表达。建筑师通过建筑空间增进人与人之间交流的同时,弱化或者隐藏建筑构件对人行为的影响,从而实现对单纯性的追求。
As one of the most talented architects of the Cenozoic in Japan, Fujimoto Shinsuke’s main design concept is summarized as the original future, architecture and nature, level. Based on the case studies of Fujimoto, this paper analyzes the material, structure, nodes and technical strategies from four aspects, and concludes that it tends to be pure in technical aesthetics. Through building space, architects can enhance the communication between people, at the same time, weaken or hide the influence of building components on human behavior, so as to realize the pursuit of simplicity.