先说几句题外话。将近两年没有写过电影表演方面的东西了,原因之一是对“理论”的厌倦。十年间电影界呈现过一派红红火火、热气腾腾、生机盎然的大好景象,资深导演的雄风、“第五代”导演的崛起,电影创作大胆的探索与创新,涌现出一批令人耳目一新、别开生面的好影片;紧随相伴的是电影理论的锐进发展,电影本体论研究,电影学、接受美学的兴起……等等。一时间,实践的探索与 Let me talk a few words first. One of the reasons why movie performance has not been written for nearly two years is the boredom of “theory.” During the past ten years, the film industry has witnessed a prosperous, steaming and full of vitality. The glory of senior directors, the rise of the “Fifth Generation” directors and the daring exploration and innovation in film creation have brought out a series of refreshing, Do not leave a good movie; Followed by the film theory is the sharp development, the study of film ontology, film science, aesthetic acceptance of the rise ... and so on. For a time, practice and exploration