唐卡按照质地和制作方法分,主要有绘画唐卡和织绣唐卡两大类,其在历史发展过程中不断接受不同地区文化艺术的影响,其中织绣唐卡的起源发展、艺术特点、装裱形式等都与汉地文化息息相关,是汉藏文化交流的产物。由于丝织品难于保存留存下来完好的织绣唐卡极少,秉着『物以稀为贵』的收藏原则,它一直都是唐卡收藏中的宠儿,尤其是缂丝和刺绣唐卡。 According to the texture and method of production, Thangka mainly consists of two categories: painting Thangka and embroidery Thangka, which are constantly influenced by the culture and the arts in different regions during the historical development. Among them, the origin, the artistic features, Framed forms are closely related with the culture of Han, is a product of cultural exchanges between China and Tibet. It is always the darling of the Thangka collection, especially the reeling and embroidery of Thangka, because silk weaving is hard to preserve and there are few intact weaving Thangka.