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梁宗岱是中国现代文学批评史上一位没有得到充分研究的理论家、批评家。本文尝试考察其理论批评实践，从其诗学建构及批评的方式入手，一方面勾勒出他在中西诗学比较研究中将两种诗学体系的“共相”误读为诗歌艺术本体以建构自我诗学体系的基本策略，一方面探讨他在理论批评的艺术化方面做出的努力，并以此为当今的文学批评提供一种参考和借鉴。
Liang Zongdai is a theoretician and critic who has not been fully studied in the history of modern Chinese literary criticism. This essay attempts to examine its theoretical criticism practice, starts with the way of its poetic construction and criticism, and on the one hand sketches out his misunderstanding of the “common phase” of the two poetic systems as the artistic body of poetry in the comparative study of Chinese and Western poetics Self-poetics system of basic strategies, on the one hand, to explore his artistic criticism of the efforts made, and as a reference for today’s literary criticism and reference.