《离婚前后》对于两位女创作者,无疑是她俩的一次腾越。编剧黄允擅长叙说伦理家庭剧,擅长把这类家务事、儿女情的故事嵌入到重大的社会政治思潮中,因此,她的剧作每每播出时,总有不大不小的轰动性,在好看之中媚趋潮头;导演鲍芝芳拍片不少,特好与特差的一部也没有,体现了“上影风格”。主观上追求女性电影的建构和形成,客观上一部接一部女性题材 “Before and after divorce” For the two female creators, no doubt they are a tide. Writer Huang Yun good at narrating family drama, good at this type of housework, children’s love stories embedded in major social and political trends of thought, so her drama often broadcast, there is always a big sensation, In the good-looking pro-trend trend; Director Bao Zhifang a lot of film, especially good and bad one did not, reflecting the “shadow style.” Subjective pursuit of the construction and formation of female films, objectively, followed by a female theme