主持人语:如果大家没有健忘的话,就在1968年食指写下了影响深久的经典名诗《这是四点零八分的北京》和《相信未来》。食指的诗出自心灵的感悟与生命的歌唱。食指诗歌的独特性,在于这是几十年来中国出现的第一首在现代社会中不依赖传播媒介,而只依靠人心流传的诗歌。同时,这是当代诗歌第一次把情感定位转向自己、转向内心的失落状态、转向真实经验的诗歌,从而使一代人通过食指的诗,得到了经验与情感的自我认定。食指的诗太真实了,太英雄化了。自我、世界与语言三者密不可分,诗歌方式就是他的内心与行动的方式,因此最后他必然要被撕裂,走向了“精神崩溃”的境地。正如诗人多多所说:“食指是朱湘自杀以来所有诗人中唯一疯狂了的诗人,也是70年以来为新诗歌运动伏在地上的第一人。”——兰坡 Moderator language: If you are not forgetful, in 1968 the index finger wrote a profound classic poem “It is 4.08 in Beijing” and “believe in the future.” The index finger poetry comes from the soul’s sentiment and the singing of life. The uniqueness of the index finger poetry lies in the fact that in the past decades China has emerged as the first poem in modern society that relies not on the mass media but on popular belief. At the same time, this is the first time that contemporary poetry has shifted its emotional orientation to itself, turned to the lost state in the heart, and turned to the poems of real experience, thus enabling generations to obtain the self-identification of experience and emotion through the poems of forefinger. The index finger poem is too real, too heroic. Self, the world and the language are inseparable. The way of poetry is the way of his heart and action, so in the end he will inevitably have to be torn apart and move towards a state of “spiritual collapse.” As the poet said, “The index finger is the only crazy poet among all poets since Zhu’s death and the first person to have fallen on the ground for the movement of new poetry for 70 years.” -