金代铜镜艺术,远承汉、唐之流风,近接契丹、北宋之余韵,骋意创新,不拘一格。在短短数十年间,便形成了我国铜镜发展史上最后一个繁盛阶段,为古老、辉煌、多元一体的中华文化,增添了绚丽的篇章。青铜镜,作为与人民生活密切相关的用具和工艺品,在五千年的中华文明史中,存在了近千年。它的形制 Golden Bronze mirror art, Yuan Cheng Han, Tang of the wind, near Qidan, Northern Song of the rhyme, Cheng Yi innovation, eclectic. In just a few decades, the last prosperous stage of the development of bronze mirrors in our country was formed, adding brilliant pages to the ancient, brilliant and diverse Chinese culture. Bronze mirror, as closely related with people’s life appliances and handicrafts, in five thousand years of Chinese civilization history, there are nearly a thousand years. Its shape