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对于仿佛坐上火箭般蹿升的中国影视产业而言,“闯入者”网络文学所扮演的究竟是拯救者,还是破坏者?《花千骨》《琅琊榜》《芈月传》《欢乐颂》……去年至今的荧幕已成为现象级电视剧轮番逐鹿的战场;贺岁档上映的《寻龙诀》则实现了票房和口碑的双丰收,成为国产商业片的杰出代表;《余罪》等一众网络剧更是凭自身的惊艳表现,成为了影视界增速最快的一大领域。上述影视作品的剧本都是自网络文学改编而来,在它们走红的背后,是网络文学IP强势“入侵”影视行业的浪潮。聚焦当下的文化市场,IP已成为
For the Chinese film and television industry as if to get on a rocket ascended the throne, “Intruder ” network literature is actually playing the role of savior or saboteur? Happy Ode “...... Since last year’s screen has become a phenomenal drama turns battlefield; Lunar New Year stalls release of the” Dragon Seeking Law “is to achieve a double harvest at the box office and word of mouth, a prominent domestic commercial film;” Yu sin “and so on A network drama is with its own stunning performance, has become the fastest growing film and television industry a major area. The above film and television productions are adapted from the network literature come from behind their popularity, is the network IP strong ”invasion " television industry wave. Focus on the current culture market, IP has become