中国的动画电影,从解放前一鸣惊人的万氏三兄弟到解放初期百花齐放的上海美术制片厂再到九十年代后期美国日本动漫制霸我国,再到千禧年后的乱象丛生发展到现在的复苏,我国的动画市场和如同国家发展的旅程一样,充满了波折。在这其中有值得我们骄傲的木偶动画和国画动画,也有永恒不变的巨大IP——西游记等神话故事,也有被人诟病的的粗制滥造和抄袭,逐渐的走向了现在国 China’s animated films range from the three Wanshi brothers who came to the blockbuster before the liberation to the Shanghai Art Studio where all flowers bloom in the early days of liberation and to the United States and Japan and the United States to dominate the United States in the late nineties and then to the chaos after the age of millennium The recovery of the animation market in our country is full of twists and turns as the journey of national development. Among these are the puppet animations and Chinese painting animations worthy of our pride. There are also immortal great IPs, such as the myths of the Journey to the West, as well as the shoddy and plagiarized ones that have been criticized, gradually moving toward the present state