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都城历来是文化中心,也是主流画风的汇聚地。都城的迁移必然导致文化中心的迁移和绘画艺术风格的改变。考察都城的变迁,需用全新的视角观察绘画社会功能嬗变。其变化轨迹概括起来分为三个时期:首先是咸阳、长安时期,绘画主要发挥其认识功能,用于祭祀礼乐;其次是洛阳、汴京、临安时期,是教育功能,用于政治教化;最后是北京时期,主要发挥其审美功能,用于抒情言志。本文将从古代绘画之画风嬗变论术绘画作品的社会功能变化。
Metropolis has always been a cultural center, but also the mainstream style of convergence. The relocation of the capital will inevitably lead to the change of cultural center and the artistic style of painting. When examining the changes of the capital city, it is necessary to observe the evolution of the social functions of painting with a brand new perspective. The change trajectory can be summed up into three periods: the first is Xianyang and Chang’an period, the painting mainly exerts its cognition function and is used for ritual music and ritual; the second is Luoyang, Bijing and Lin’an period, which is the educational function used for political enlightenment; Finally, in Beijing, the main function of its aesthetic, for lyricism. This essay will discuss the social function changes of the works of art painting from the evolution of the style of ancient paintings.