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在我多年的花鸟画创作中,我始终把花鸟画的地域特色放在首位,从地域特色入手,完成对自我花鸟画个人风格的确立,从而确定全新的花鸟画地域风貌。古长安出现了不少闻名于世的绘画大家,其中阎立本、吴道子、李思训、王维、范宽、李成等都以其独具特色的绘画面貌创造了一个个丰富多彩的精神世界。他们以当时的社会生活和自然景物为自己关注的对象,把自然美和生活美以智慧转化为系统庞大的形式美,把唐宋时期的绘画艺术推向一个博大自信的境界。古长安留给当代丰厚的文化遗产和绘画传统,但是详细分析长安的绘画传统,我们发现西安地区没有传统意义上标准的明清文人画,更没有其它地区绘画传统里系统完整的文人画形式技法。传统在这里
In my many years of flower and bird painting creation, I always give top priority to the regional characteristics of flowers and birds painting. Starting from the geographical features, I completed the establishment of the personal style of the self-portrait flower and bird painting to determine the new style of flower and bird painting. There are many famous paintings in ancient Chang’an. Among them, Yan Liben, Wu Daozi, Li Si Xun, Wang Wei, Fan Kuan, and Li Cheng have all created colorful spiritual worlds with their distinctive paintings. At the time, they took their social life and natural sceneries as their objects of concern. They converted natural beauty and life beauty into wisdom in the form of a system, and pushed the art of painting in the Tang and Song Dynasties to a state of great self-confidence. However, a detailed analysis of Chang’an’s painting tradition shows that there is no standard Ming and Qing literati painting in the traditional sense in Xi’an and no systematic and complete style of literati painting in the traditional painting tradition in other regions . Tradition is here