古代戏曲批评家常以“收场”、“收煞”、“完局”、“结场”等术语定义戏曲收尾场次,其中“收场”一语应用最为普遍。立足收场形态,合卺、旌封、仙圆牢牢占据着收场主体,“模式化”作为收场套性被凸显出来,所谓“临了一折必谱作圆聚,其圆聚又必藉锦归,无一不然,几同印板”1便是对这一收场特性的表述。同时,戏 Ancient Chinese opera critics often define the ending of the drama with terms such as “ending”, “ending,” “ending”, “ending”, etc. The term “ending” is most commonly used. Based on the pattern of the end of the market, co-ordination, Jing Feng, cents round firmly occupy the closing party, “pattern ” as the closing hedging is highlighted, the so-called By Jin Kui, all of a sudden, a few similar plates "1 is the expression of this ending characteristic. At the same time, play