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西方绘画历来重视画面空间的表现,早在公元5世纪,雅典画家阿嘎塔尔库斯就利用透视原理画出了世界上第一幅透视画。照相术的发明也大大丰富了西方绘画的空间表现。中国画同样非常重视画面当中的空间表现,但是它与西方绘画中的表现方式截然不同,中国画更多的是注重“虚”的运用。这“虚”并非画家随心所欲画出,而是经过“惨淡经营”得来。虚处对于实处来说是一种相对的存在。一幅好的中国画,画家对于虚处的安排,更甚于实处,画面当中的实处因为虚处的存在才显得“意无穷”。
Western painting has always attached importance to the performance of the picture space. As early as the 5th century AD, the Athenian painter Agathakus used the perspective principle to draw the world’s first perspective painting. The invention of photography also greatly enriched the spatial representation of Western painting. Chinese painting also attaches great importance to the spatial representation of the picture, but it is quite different from the way of expression in western painting. Chinese painting focuses more on the use of “imaginary ”. This “imaginary ” is not painter to draw arbitrary, but after “dismal management ” have come. The virtual place is a kind of relative existence for the sake of itself. A good Chinese painting and painter’s arrangements for the imaginary place are more practical. The actual situation in the picture is infinite because of the existence of the imaginary place.