一、李煜词的习惯性审美经验的类型第一,艳情生活型。作品虽然反映的是南朝小朝廷的宫中的享乐生活和艳情遭遇,但却避免和消除了传统宫体诗中的腐朽昏庸味。如《一斛珠》(晓妆初过)、《玉楼春》(晚妆初了明肌雪)、《菩萨蛮》(花明月暗笼轻雾)等。它们都在不同程度上透露着“人间色彩”:人间的思绪,人 First, the style of Li Yu’s habitual aesthetic experience First, erotic life style. Although the works reflect the hedonistic life and the erotic encounters in the palace of the court of the Southern Dynasties, they avoid and eliminate the decadent and comatusy flavor in the traditional palace poem. Such as “a ghusu” (Xiao makeup early), “Yu floor Spring” (evening makeup early Ming muscle snow), “Buddha Man” (flower moon cage dark fog) and so on. They are to varying degrees, revealing “human color ”: the human mind, people