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问题的提出是基于今天中国美术界在经历了改革开放初期艺术观念、方法大躁动后所形成的各持其词的创作理论现状。今天的中国美术界呈现出诸子百家,流派纷呈的景象,但也存在一些问题,比如被批评家讥讽为“西藏题材——篱笆、女人、狗;农村题材——老屋、农妇、井;水乡题材——老桥、旧船;静物题材
The question is put forward based on the present situation of the Chinese creative theory which is shaped by the current Chinese art circles after experiencing the reform and opening up. Today’s Chinese fine arts world presents hundreds of schools of different genres, but there are also some problems such as criticisms by critics of "Tibet themes - fences, women and dogs; rural themes - peasant houses, peasant women, wells ; Water theme - Old Bridge, the old boat; still life theme