列夫·多金的《兄弟姐妹》采取了一种有选择的现实主义,为了表达批判而运用了对比修辞,创造出了一种“悲愤审美”。即便其创作策略可以理解,但这种过于社会性的目的让演出显得有些简单从而缺少了些艺术性。该作品在给予我们一种提示:表现苦难,如果想让人深思,需要历史辩证法;表现苦难,如果想让人玩味,则需要艺术辩证法。 Leif’s Dickinson’s “siblings” adopted a selective realism and used contrastive rhetoric to express criticism, creating a “sad aesthetic”. Even though his creative strategy is understandable, this over-social purpose makes the performance a bit trickier and lacks some artistic features. The work is giving us a hint: to show the suffering, if we want people to think deeply, we need the historical dialectics; to show the suffering, if we want to make people feel interesting, we need the art of dialectics.