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颂是我国一种古老的文体,具有独立的文体特征与社会文化价值。《毛诗序》:“颂者,美盛德之形容,以其成功告于神明者也。”1这指出了颂的文体功能是通过形容状貌来赞美盛德。后来刘勰《文心雕龙·颂赞》:“四始之至,颂居其极。颂者,容也,所以美盛德而述形容也……容告神明谓之颂……颂主告神,义必纯美。”2刘勰认为颂在风、小雅、大雅四者之中,是诗理的极致。刘勰的观点就是对《毛诗序》的继承。清代方玉润在《诗经原始》:“颂之名,自商始有之。”3
Ode is an ancient style of our country with independent stylistic features and social and cultural values. “Maoshi Preface”: “Songs, described by Somerset and succumbed to their success by their success.” 1 This indicates that the function of praising is to praise Sidley by describing his appearance. Later, Liu Wen, “Wen Xin Diao Long Song praise”: “The beginning of the four, Song Juji its. Songs, Rong also, so the United States Sutton described the description ... ... to tell the God that the Ode to praise ... Chung Lord Tell God, righteousness will be pure. ”2 Liu Yong that ode to the wind, Xiaoya, Taiga four, is the ultimate poetic. Liu Xie’s point of view is the “Mao Shi Preface” inheritance. Fang Yurun in the Qing Dynasty in the “Book of Songs”: “Song name, since the beginning of business.”