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任何一种视觉艺术形式都离不开造型,都是通过造型完成抒情达意的目的,而完成这一目的则必须依靠一定的结构表现为媒介,同样,中国山水画的审美与造型艺术也离不开结构。结构作为中国山水画的一个专业术语,我的理解有三个方面:一为山体结构,二为笔墨结构,三为气象结构。山水画之所以能成为中国画的代表,是与它复杂的造型、丰富的笔墨变化和气韵生动分不开的。
Any kind of visual art forms are inseparable from the shape, are the purpose of lyrical and expressive through the shape, and to accomplish this purpose must rely on certain structural performance as a medium, the same, the aesthetic and modeling art of Chinese landscape painting can not be separated structure. Structure As a professional terminology of Chinese landscape painting, my understanding has three aspects: one is mountain structure, the other is pen and ink structure, the third is meteorological structure. The reason why landscape painting can become a representative of Chinese painting is inseparable from its complex shape, rich changes in ink and brush, and vivid life.