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20世纪30年代,中国“左联”为了克服文学创作中存在的公式化,概念化倾向,适应革命的需要,接受了“社会主义现实主义”这一新的创作方法,并在文坛内部引起了新的争论。
In the 1930s, China “Leftist ” accepted the new creative method of “Socialist Realism ” in order to overcome the formalization, conceptualization tendency and the need of the revolution in literary creation. Sparked a new debate.