本文从美国非裔文学之源、话语“黑人性”与黑人文选经典化三个方面入手,提出《诺顿美国非裔文学选集》以喻指理论为文学史观,建构了黑人说话书本的历史,展示口语与文本彼此交融的黑人文学传统,突出非裔文学经典之间重复与修正的喻指关系。这部文学选集在跻身于美国文选经典之列的同时,亦成功颠覆了美国文学史的欧洲/白人中心论,体现出喻指言说既依赖又抗拒的批评姿态。 This article starts from the source of American Afro-American literature, the discourse of “black sex” and the classic anthology of black anthology, and puts forward “Anthology of Norton American Afro-American Literature” History, showing the tradition of black literature blended with spoken and written texts, highlighting the metaphorical relationship between repetition and revision of the classics of African descent. While this literary anthology ranks among the top American literary classics, it successfully subverted the European / white centrism in the history of American literature and embodied the criticism that Yu said is both dependent and resistant.