“动画”作为一种绘画形式,是以连续动态而非静态的呈现方式来表述的。在形式上, 动画以经过提炼、夸张等艺术处理的形象和画面在动态中进行叙事,在“动”的特征中, 动画不仅要保持“画”的视觉美感,还要强调“画”所应具有的审美价值。否则,动画就会成为电影或戏剧的附属品,从而失去自身的独特价值。动画与电影的关系就像连环画与文学作品的关系,连环画作为“画”的审美价值远不止于它的叙事性文学价值。当前连环画界之所以不景气,就是因为忽略了绘画语言的重 “Animation ” as a form of painting is expressed in a continuous dynamic rather than static presentation. In terms of form, the animation narrates in a dynamic manner through images and images processed through exaggeration and exaggeration. In the feature of animation, the animation not only maintains the visual beauty of painting but also emphasizes “Painting ” should have the aesthetic value. Otherwise, the animation becomes an adjunct to a movie or drama, losing its own unique value. The relationship between animation and film is just like the relationship between comic strip and literary works. The aesthetic value of comic painting as “painting ” goes far beyond its narrative literary value. The reason why the current comic book industry is sluggish is that it neglects the weight of drawing language