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革命历史题材影视作品曾是广大中国人民最主要的精神食粮;近年来,出现革命历史题材影视改编热潮,这在很大程度上是中国多元话语意义相互影响的结果。本文选择革命影视作品作为研究对象,对其革命叙事进行检视,分析革命题材影视作品的叙事策略、观众诉求、文化策略等要素,并从当代革命影视作品的叙事维度、故事容量、情节设计、人物塑造,以及细节刻画等方面发掘其较之于早期“红色经典”影片在叙事观念上出现的种种变化。本文认为,这些改变实际上是一种降级叙事,通过淡化阶级、凸显人物,解构和颠覆了原来国家和历史不可动摇的话语地位,凸显和深化了个体人物在社会历史中的地位和意义,激活并强化了当代人的历史记忆,有利于大众媒介化时代的历史重塑,建构了新世纪以来独特的革命影视叙事方式。
In recent years, there has been an upsurge in film and television adaptation of revolutionary historical themes, which is to a large extent the result of the mutual influence of the pluralistic discourse in China. This article chooses the revolutionary film and TV works as the research object, examines its revolutionary narration, analyzes the elements of the narrative strategy, audience appeal and cultural strategy of the revolutionary film and television works. From the narrative dimension, story capacity, plot design, Shape, and detail portrayed in comparison with the early “Red Classic ” film in the narrative concept of the changes. This paper argues that these changes are actually degenerative narratives. By diluting classes and highlighting the characters, they deconstruct and subvert the unshakable discourse status of the original state and history, highlight and deepen the status and significance of individual characters in the social history and activate And strengthen the historical memory of contemporary people, is conducive to the historical remodeling of the era of mass media, construction of a unique style of revolutionary film and television narrative since the new century.