咫尺有千里之趣——王希孟《千里江山图》赏析

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在中国传统艺术中,山水画是民族艺术的精粹,是民族精神世界的集中展现。山水画不仅能够表现恬淡的自然风光,还体现着画家的思想情感与人格理想,是画家领会山川秀美而创作的艺术作品。宋代是中国绘画艺术发展的关键时期,宋徽宗、宋高宗都非常重视绘画艺术,在徽宗时画院制度已非常完善,培养出许多优秀的绘画人才,也推进了艺术技巧的突破与创新。青绿山水是山水画发展初期的表现形态,在不同的历史时期有着不同的艺术风貌,宋代青绿山水有着工整精细、雄伟壮观的艺术特点,王希孟就是 In Chinese traditional art, landscape painting is the quintessence of national art and the concentrated expression of the national spiritual world. Landscape painting not only shows the tranquil natural scenery, but also embodies the painter’s ideological emotion and personality ideal. It is an artist who comprehends beautiful and creative works of mountains and rivers. The Song Dynasty was a crucial period for the development of Chinese painting art. Song Huizong and Song Gaozong all attached great importance to the art of painting. In the case of Huizong, the academy was very well established and many excellent talents of painting were cultivated. The breakthroughs and innovations in artistic skills were also promoted. Green landscape is the early form of landscape painting expression, in different historical periods have different artistic style, Song Dynasty green landscape has neat and fine, majestic artistic characteristics, Wang Ximeng is
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