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经历了半个世纪之久的探索,周大正教授终于找到了他独特的绘画语言和绘画审美追求,他追随着印象派的足迹,坚持将写生进行到底,并提出了色彩的三美原则:“鲜明美、丰富美、和谐美”。周教授的油画风景中总是蕴含着扑朔迷离的色彩和苍劲老辣的笔触,绘画的生活积累和艺术修养成了他油画中的神髓。观其画,仿佛是一位饱经风霜的老人诉说着沧海桑田,昨日的一切历历在目。周教授对光线的探索、研究与运用在他的写生作品中完全地体现了出来,他的小幅风景写生作品色彩热烈、饱满、浑厚、质朴,对光线的研究与应用可谓炉火纯青。
After half a century of exploration, Professor Zhou Taizheng finally found his unique aesthetic pursuit of painting language and painting. Following the impressions of Impressionism, Professor Zhou insisted on drawing through to the end and put forward the three principles of color: Bright beauty, rich beauty, harmonious beauty ". Professor Zhou’s oil painting landscape always contains confusing colors and vigorous brushwork, painting life accumulation and artistic accomplishment has become the essence of his paintings. The painting, as if a weather-beaten old man complained about the sea, yesterday, all vividly in sight. Professor Zhou’s exploration, research and application of light are fully reflected in his sketches. His small sketches of scenery are warm, full, vigorous and simple in color. The research and application of light can be described as blazing.