在美国的当代艺术界,每届的惠特尼双年展似乎都是让人又爱又恨的事情。从策展人的角度讲,这永远是个苦差事,因为不管你如何费尽心机,去展现当前的艺术现状和难以把握的潮流,去讨好艺术界从艺术家、批评家、艺术史家、策展人到收藏家等各路神仙好汉,你最后的下场一定是任由批评家们的尖刻言辞把展览说得几乎一无是处。而对于一向严肃而又挑剔的批评家们来说,每一届的双年展不过是 In the contemporary art world in the United States, every Whitney Biennale seems to be something that people love and hate. From a curatorial point of view, this is always a chore because no matter how hard you try to show the current state of the art and the trend that is difficult to grasp, the art community welcomes artists, critics, art historians and curators To collectors and other gods and all kinds of road, your last fate must be let the critics of the sharp words of the exhibition almost nothing. And for critics who have always been serious and picky, each of the biennials is nothing but