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近年来,自《潜伏》始,谍战剧频现荧屏。此类电视剧扩大了创作者的题材观照视域,丰富了广大观众的收视,不能不说是中国电视剧艺术生产的一大现实景观。近期由麒麟影业、宁夏电影集团出品的《摩西密码》,讲述了二战时期上海“船王”之子陆昊然受世界反法西斯同盟组织委托,为一笔犹太巨额捐款从英国护送重要人物安妮来到上海。陆昊然与中共地下组织一道粉碎了日本侵略者一个又一个的阴谋:抵制中储券,智毁伪钞板,计除假银行家,保护华商撤离……最后为救安妮,陆昊然与日军同归于尽,而安妮也无法割舍对中国的无限眷恋而永久地留在了上海……《摩西密码》的成功播出,提供了具有启示意义的谍战剧学理密码。
In recent years, since the “latent” start, spy war drama frequently screen. Such drama expands the creator’s view of subject matter and enriches the audience’s viewing, which can not but be said to be a realistic landscape of art production in Chinese TV drama. Recently issued by Kirin Pictures and Ningxia Film Group, the “Moses Code” tells the story of Lu Haoran, the son of Shanghai’s “ship king” during World War II, commissioned by the World Anti-Fascist Alliance to escort the important figure Anne from the United Kingdom for a huge Jewish donation. Came to Shanghai. Lu Haoran together with the Chinese Communist underground organization smashed the Japanese invaders one after another conspiracy: boycott of the voucher, destroy the banknote counter, excluding the bankers to protect the Chinese withdrawal ... ... the last to save Annie, Lu Haoran and the Japanese army to the end, And Annie can not afford to give up her unlimited attachment to China and remain permanently in Shanghai ... The successful broadcast of “The Moses Code” provides an enlightening spy-war drama password.