《水浒传》问世以后,明清以来的水浒戏便主要根据已经定型的小说敷衍成篇。此外,前代水浒戏的发展成果和民间长期流传、绵延不绝的水浒故事也为之提供了深厚的思想和艺术渊源。根据《曲品》、《远山堂曲品》、《鸣野山房书目》、《古人传奇总目》、《传奇汇考标目》、《重订曲海总目》、《曲海总目提要》、《曲海总目提要补编》、《春台班戏目》、《庆升平班戏目》、《花天尘梦录》、《永禁淫戏目单》、《今乐考证》、《花部剧目》、《缀白裘》等文献统计,明 Since the advent of the Water Margin, the Water Margin drama since the Ming and Qing Dynasties has been mainly based on the stereotyped novels perfunctory articles. In addition, the development achievements of the predecessor Water Margin drama and folk long-term spread, endless story of the Water Margin also provides a deep ideological and artistic origin. According to “Qu Goods”, “Yuan Shan Tang Qu”, “Ming Ye Shan Fang Bibliography”, “Legend of the ancients”, “legendary remarks heading”, “Revised Quhai Head”, “Qu Hai Head , ”Qu Yuan“, ”Supplementary to Qu Hai Zongmeng“, ”Chuntai Banqun“, ”Qingping Banping opera“, ”Dream of Flower“, ” “,” Flower Department plays “,” Ding white fur "and other literature statistics, Ming