俸正泉此次在顶层空间的展览是他在国内的第一个较正式的个展,展出的30来幅作品都是这两年的新作,始于2003年的一个新系列——《我的山水》。竖幅的长条比例,很容易让人想到传统的扇屏。构图极其经典的古代山水朦朦胧胧地游移出传统国画之外落户在他的画面中,变得抽象而又慨念。似乎依然是传统的山水,似乎依然中国式地环绕相伴,不知是因为太近,还是因为身在其中,古典的山水在“当代”的观看中渐渐模糊,不再成为视觉的焦点。灰色中,山水不见了自身明朗清晰的线条,与茫茫黑色一起退向后方共同构成了画的背景。前景中时髦的各种日常用品铺天盖地,提包、香水和口红等等,不仅造型时尚,就连名字和LOGO的设计都酷似国际大牌。它们缺少章法、没人管理而散落得到处都是,无论是山颠、崖壁,亦或是山谷、岸边,无论远近它都绝对的鲜活、生动。而一切有生命的,如孩子、小鸟、企鹅和寥寥的花草,在时尚消费品满山遍野的氛围中和装点下,好像都失去了它们的自然属性,卡通般存在着。装饰和制造业的力量仿佛战胜了自然的造化,汽车、水果、孩子、口红,它们几乎是等大的存在于这个世界中。画面中,前景中的现代生活漂浮在它们身后的山山水水中,宛如被一场大风突然吹来,又极可能被另一阵狂风席卷而去,只是在这一时刻非常不协 Feng Zhengquan’s exhibition in the top space is his first official solo exhibition in China. The 30 works on display are both new works of these two years, starting with a new series in 2003 - “I Landscapes. ” The length of the vertical ratio, it is easy to think of the traditional fan screen. Composition of the ancient classic landscape of the ancient landscapes wandering out of the traditional Chinese painting settled in his picture, become abstract and generous. It seems that the traditional landscape still seems to be surrounded by Chinese style. I do not know it because it is too close or is there because the classical landscape is getting blurred in “contemporary” viewing and no longer the focus of vision. Gray, the landscape disappeared clear and clear lines, with the vast black retreated together to form the back of the painting background. Fashionable variety of daily necessities in the foreground is overwhelming, bags, perfumes and lipsticks, etc., not only stylish, even the name and LOGO design resembles the international big names. They lack the rules of the law, no one managed scattered everywhere, whether it is Hill Britain, cliffs, or the valley, the shore, no matter it is absolutely fresh and lively. And all life, such as children, birds, penguins and a handful of flowers and plants in the fashion consumer goods in the atmosphere and decorate, it seems they have lost their natural attributes, there are cartoons. The power of decoration and manufacturing seems to have defeated nature’s fortunes, cars, fruits, kids, lipsticks, and they are almost equally large in this world. In the picture, the modern life in the foreground floats in the mountains and rivers behind them, just like a sudden gust of wind blows, and it is very likely to be swept away by another gust of wind, but it is very uncoordinated at this moment