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在武汉,我們看了好几个剧团演的《群英会》,那种“馬前”的程度真是惊人。打黄盖下去,往后的(?)澤下書、蒋干二次过江、庞士元献連环計等等情节,全部被删掉。他們不管剧情是否接得上气,直截了当上赵云,下面就是孔明借風了。这擱在旧社会,观众或許沒意見,因为那时大家多半是去听“角兒”的;可是現在就不成,演員艺术再高明,但是表演离开了剧情,观众就怎么也不能接受。
In Wuhan, we watched the “shekels” performed by several troupes. The extent of “horseback” was amazing. Hit yellow cover down, the back of the (?) Ze book, Jiang Qian Jiang Jiang second time, Pang Shi Yuan Xian Lian Ji Ji, etc. plot, all be deleted. Regardless of whether they get the plot on the plot, straightforward on the Zhao Yun, the following is Kong Ming borrows. The audience may have no choice but to put this opinion in old society. At that time, most of us were going to listen to the “horns.” But now we are not doing anything. The art of actors is clever, but when the show leaves the story, the audience can not accept it.